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Does Premiere Pro Work On Mac
This video is a quick and specific overview of the answer to the question, can you run adobe premiere pro on a MacBook Air. Drop a like and comment with any. Another way to fix Adobe Premiere Pro slow rendering issues is to adjust the Preferences settings in the media browser. Speed up the app by removing all the unnecessary preference options. This helps the performance of Adobe Premiere Pro because it asks less of your computer and thus can focus on one process at a time. PREMIERE PRO TUTORIAL: UNDERSTANDING THE WORKSPACE. In this lesson, you will gain an understanding of the key elements of the Premiere Pro interface and how to configure them to better suit your needs. In this lesson, you will work with the project files from the pr02lessons folder. Premiere Pro has a scalable architecture, so performance scales with the speed of your system. The minimum system requirements for your workflow depend on the type of content you plan to work with. With native 64-bit support, Premiere Pro can take advantage of all the available RAM on your system. It's easy to blame Premiere Pro for poor performance, but, the fact is, it may not have anything to do with Premiere Pro. The first thing Ian recommends doing to improve Premiere Pro's performance actually has nothing to do with Premiere Pro. Check for system updates. Obviously, this means different things for Mac and PC users.
This page is a companion document to the system requirements for Premiere Pro and After Effects. It provides additional information on system components and considerations for optimal performance.
Want a downloadable version of this document? Click here to download a PDF.
The four key variables for a great video production system are memory, storage, graphics, and your processor.
Memory
Professional video workflows rely on system memory. A good video editing workstation should have at least 32GB of memory— and as much as 128GB.
Storage/hard drives
Fast storage is critical for video production. Use solid-state NVMe or SSD storage. Unless you have a fast RAID array, spinning disks generally do not offer sufficient speed for HD and 4K video production.
The best way to achieve excellent performance (and to keep different types of files organized) is to spread the load between multiple drives. An optimal setup has three drives:
- System drive for OS and applications
- Drive for the media cache
- Media drive (or shared storage)
Only have two drives? Use a fast external drive for your media and Media Cache.
The media cache is where Premiere Pro stores accelerator files, including peak files (.pek) and conformed audio (.cfa). Premiere Pro can make thousands of call to these files every second). For more information, see Set Media Cache preferences.
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- NVMe Flash memory drives with Thunderbolt 3.0 connectivity are excellent.
- SSD drives with USB 3.1 connectivity are also good - but have a 4TB limit.
Graphics
The GPU is used for onscreen rendering and export, priority areas for video production. Premiere Pro is engineered to take advantage of the GPU. After Effects is also GPU-optimized.
- Graphics card with at least 4GB of memory (VRAM).
- (Optional) Multiple GPUs, including eGPUs, can be used to speed up rendering and export.
Out-of-date graphics drivers are one of the most common causes of performance issues with video applications. For optimal performance, make sure you have the latest drivers for your GPU, including integrated Intel GPUs. For more information, see GPU and GPU Driver Requirements for Premiere Pro.
Does Premiere Pro Work On Mac Os
Processor/GPU
For CPUs, clock speed matters more for After Effects. Multiple cores have more impact for Premiere Pro. The sweet spot for running both applications is a fast CPU with 8 cores.
- Core i7 or Core i9 Intel processors or AMD equivalents are strongly recommended.
- Fast clock speed at least 3.2 GHz, or higher.
- 8 cores are ideal for Premiere Pro. The application can use more cores, but without significant added benefit. Depending on the task, Premiere Pro runs at 93-98% efficiency with 8 cores.
Adobe Premiere Pro 2020 Mac
H.264 and H.265 (HEVC) are widely used capture formats for DSLRs, mirrorless cameras, action cameras, and phones. H.264 is also the preferred format for uploading to YouTube and social media sites. These compressed formats are well suited for capture and distribution, but they are processor-intensive for post-production.
If you work with H.264 and H.265, consider Intel Core i7 and Core i9 processors, which offer Quick Sync hardware acceleration, supported in both Premiere Pro and After Effects.
AMD and Intel Xeon processors work well for other formats, such as cinema camera formats, (such as RED, Sony Venice, ARRI) and broadcast formats (such as XDCam HD).
Adding memory is the easiest and usually most impactful place to start if you want to upgrade your system to improve performance for both Premiere Pro and After Effects.
Upgrade Premiere Pro system in this order of priority:
- More RAM — up to 128GB if your motherboard supports it.
- A faster GPU (or additional GPUs) for faster rendering and export
- Faster (or more) NVMe or SSD drives
- Faster CPU
Upgrade your After Effects system in this order of priority:
- More RAM — 128GB is a good target for top-of-the-line systems.
- Faster (or more) SSD or NVMe drives
- Faster GPU (or additional GPUs) for faster rendering and export
- Faster CPU
Export times are impacted both by your graphics hardware and your workflow. A second GPU (same class GPU as the primary GPU) can provide substantial speed increases for export. Creating previews during your edit can also accelerate export times.
Assuming you have a good system, performance for multicam workflows is more dependent on your project setup than your hardware. Expert users create their own project templates to standardize their setup.
A calibrated reference monitor connected through external transmit hardware is highly recommended for accurate display of interlaced and color critical content. Proper monitoring of HDR content requires an HDR-capable external display.
This is a matter of personal preference. Because the timeline is a central element in the Premiere Pro UI, an ultra wide 37” display combined with a second reference monitor is an excellent option.
Simultaneous monitoring of multi-channel audio requires a multi-channel sound card. On Windows the sound card should be ASIO-capable.
Your workflow, and how you decide to work with file formats, can have a significant impact on overall performance. Our best practices guide for working with native formats has suggestions for designing your workflow to ensure optimal performance with your hardware.
- Puget Systems recommendations for Premiere Pro
- Puget Systems recommendations for After Effects
Adobe Premiere Pro CC certainly isn’t the most stable or glitch-free NLE on the market, but it is one of the fastest, most robust, and codec friendly software offerings. And if you’re like me, you’ll take your software a bit glitchy as long as it’s the most cutting edge and performance driven.
The best way to get the best performance from Premiere is to use ProRes Proxy files…but the client needs this edit tomorrow and there’s no time to transcode everything! We need to start editing now and we need Premiere to be able to keep up with our blazing fast editing skillz!!! So let’s discuss how to squeeze the most performance out of our favorite, crash loving software:
1. Enable GPU Previewing
Premiere can realtime preview video in 3 different ways: CPU (software only), OpenCL (AMD graphics cards), and CUDA (Nvidia graphics cards). By default, software only is selected because not all systems have graphics cards. If your system doesn’t have a dedicated GPU (graphics card) then you won’t be able to select the GPU Acceleration options and you will be forced to stick with the subpar Software Only setting.
If you do have a dedicated GPU, which is definitely preferable, then you should select a GPU Acceleration option. To change this setting go to File/Project Settings/General… then use the Renderer dropdown menu to select your preference. If you have an AMD GPU then select OpenCL rendering. If you have an Nvidia GPU then select CUDA.
Note that Nvidia GPUs with more CUDA cores will have better performance so definitely purchase cards that have the highest number of CUDA cores that you can afford. Also, if you have an Nvidia GPU, then make sure to install the CUDA driver and keep it up to date. Nvidia CUDA for the win!
2. Point Media Cache to Different Drive from OS
By default, your Media Cache files are stored on your OS drive. This works fine and all, but it’s not optimal for performance because you want your OS drive to be focused on delivering its best read/write performance to your OS and your applications.
Instead of allocating these precious resources to your OS drive, move your Cache to a separate drive. When I build systems, I always dedicate a 500GB SSD strictly for cache purposes and I point the cache files to that drive. The faster the cache drive, the better. So try to use an SSD or even better an M.2 SSD. If you insist on using a spinning disk drive then at least use a 7200rpm drive.
3. Decrease Preview Resolution if Necessary
Premiere does its best to realtime preview your timeline so that you don’t have to transcode your videos or wait on render previews. However, even with a fast computer and GPU, sometimes what you have going on in your timeline is still too much to handle and you will notice stuttering video and laggy performance.
If this happens, try reducing your preview resolution located on your Program monitor window. Doing this is typically necessary for RAW footage; unless you have a beastly system! Furthermore, unless your program monitor is displayed full screen, there is typically no need to preview in full resolution because your monitor probably can’t display all of the video pixels anyway (i.e. your timeline preview monitor is only occupying the upper right portion of your computer monitor).
4. Disable Clips When Not In Use
Premiere previews the top video track layer of your timeline. It stands to reason that if you have multiple clips on video tracks below your top layer then performance should not be affected since only the top track is previewing…right?…WRONG! Even clips underneath the top layer video track use up system resources and will slow down performance.
Instead of being destructive and deleting these clips, simply right click and uncheck the Enable option in order to disable the clip. This will ensure that you can use this clip again if you so choose to by re-enabling it; but in the meantime it won’t take up resources and slow down your timeline preview.
Pro tip: use the keyboard shortcut cmd+shift+e (ctrl+shift+e on Windows) to enable and disable clips instead of right clicking.
5. Edit in a Sequence that Matches Your Footage Settings
Premiere performs best when previewing a sequence that matches the native properties of your footage. Therefore, when you create your sequence, you should right click on an imported clip and select New Sequence From Clip.
Premiere will then create a new sequence that matches the resolution, codec, and frame rate of your clip. I know that many of you are thinking “But I like to make a 1080p sequence and import my 4K video so I can downscale it in order to reframe.” Doing this is a great practice and certainly much better than upscaling (never upscale!) but all that downscaling takes a performance hit on Premiere.
Instead, I recommend doing all of your edits in native resolution and then once you’re ready to do your reframes, create a new 1080p sequence and copy and paste the contents from your native sequence into your new 1080p sequence. Then do all of your reframes because at that point you won’t care as much if your video is stuttering since all of your edits are done and you’re just fine-tuning.
BONUS TIP: Use an Adjustment Layer for Color Correcting
To create an adjustment layer, your Project window must first be selected (it should be highlighted by a thin blue box), then select File/New/Adjustment Layer… Premiere will then create an adjustment layer file in your project window that you can insert into your timeline. An adjustment layer affects all layers that are below it so keep this in mind when you’re editing because you may not want your graphics to be affected by the color corrections of your adjustment layer. If this is the case, simply put your graphics above your adjustment layer.
Adjustment layers are great because they are an easy way to on/off your color grade at a universal level (instead of going into the effect controls of each clip independently). There is a performance benefit to this as well because if you want to watch your timeline for the edits then you want to see it playback as smoothly as possible so simply eyeball off your adjustment layer and watch your timeline playback like butter. Then, when you’re ready to tweak the grade, simply eyeball back on your adjustment layer.
Another way adjustment layers can benefit performance is if your sequence resolution is lower than your clip resolution because adjustment layers are based on your sequence resolution. Therefore, all of the effects on your adjustment layer will be rendered at the lower resolution of your sequence, rather than being rendered at the higher resolution of your clips.
Wrap Up
Next time Premiere is being so laggy that you want to hurl your computer at the wall, try implementing these performance enhancing tips to see if it will smooth things out for you. Let me know in the comments below if you’ve come across other performance enhancing tips because I’m all about eking out top efficiency!